Khidr or al-Khidr (Arabic: الخضر‎ al-Khiḍr, also transcribed as Khidr, Khizr, Khyzer, Qeezr, Qhezr, Qhizyer, Qhezar, Khizar, Xızır, Hızır) is a revered figure in Muslim and Islam-influenced areas who is believed to be described in the Quran as a righteous servant of God and he possessed great wisdom or mystic knowledge. In different Islamic and non-Islamic traditions, Khidr is variously described as a messenger, prophet, wali or in some cases, as a "non-abstract" deity[1] who takes the worldly place of the God as a deus otiosus.[2] The figure of al-Khidr has been syncretized over time with various figures including Vishnu in India,[3] Sorūsh in Iran, Saint Sarkis the Warrior and John the Baptist in Armenia,[4] Saint George in Asia Minor and the Levant, etc.[5]


The name "Khidr" is taken colloquially (and sometimes within more scholarly literature) to mean "the Green One" or "the Verdant One" in Arabic; however, this definition is only a popular etymology with no linguistic connection between Khidr and al-akhdar, the Arabic word for green.[6] Another opinion refers to a short or Arabized form of Hasisatra (Atra-Hasis).[7] Hasisatra is the nickname of the "Sumerian Noah" Utnapishtim. He is a character in the Gilgamesh epic who is asked by Enki (Ea) to abandon his world possessions and create a great ship. Therefore he is a survivor of the flood on whom the gods had conferred immortality, at the source of waters.[8] According to Dutch Orientalist Arent Jan Wensinck (1882-1939) the story of Khidr and Alexander the Great is connected with the Gilgamesh Epic. Because, like Alexander the Great, Gilgamesh has searched for immortality and he has tried to find Atrahasis who lived on an island and had the secret of eternal life.[9]

Although there are many common or similar elements between the Gilgamesh epic and the Alexander romance in which 'Khidr' plays a role, Hasisatra is not the prototype of Khidr. Khidr originally comes from Ugaritic mythology and his prototype is Kothar-wa-Khasis (Chusor in Greek), the god of smith and builder;[10] but he is actually associated with Kothar's syncretic forms. The name Khidr has also been compromised with some epithets or personal names from ancient Near Eastern cultures and later may be with Arabic al-akhdar. For example like personal names Hi-zi-ri, Hu-zi-ru (Asur), Aziru, Haziru (Akkad), Ha-zi-ru-um, Hisr (Amorit), Hi-zi-ri (Amarna) which Aramian dr and Hebrew zr means to help. In the texts of Ras Shamra Kothar was known as a helper of Baal; thus he might be hi-zi-ri.[11] But there are more than this possibility; also transforms of the name Kothar are similar the transforms of the name Khidr.[12] One of them is
Deoband, a country town ninety miles northeast of Delhi, has given its name to ulema associated with the Indo-Pakistani reformist movement centered in the seminary founded there  in 1867. A striking dimension of Islamic religious life in colonial India was the emergence of several apolitical, inwardlooking movements, among them not only the Deobandis but the so-called “Barelwis,” the much smaller Ahl-e Hadis/Ahl-I Hadith, and the controversial Ahmadiyya. The Deobandi, Barelwi, and Ahl-e Hadis ulema not only responded to Hindu and Christian proselytizing, but engaged in public debate, polemical writings, and exchanges of fatawa among themselves.


Who are Deoband or Deobandi, History, Beliefs, Definition, Meaning, Movement in Islam bangla VideoEach fostered devotion to the prophet Muhammad as well as fidelity to his practice; each thought itself the correct interpreter of hadith, the guide to that practice. All depended on means of communication, above all print, as well as on institutional changes that came with British colonial rule. The Dar al-_Ulum at Deoband utilized the organizational model of British colonial schools. Its goal was to hold Muslims to a standard of correct individual practice in a time of considerable social change, and, to that end, to create a class of formally trained and popularly supported ulema to serve as imams, guardians, and trustees of mosques and tombs, preachers, muftis, spiritual guides, writers, and publishers of religious works. At the end of its first centenary in 1967, Deoband counted almost ten thousand graduates, including several hundred from foreign countries. Hundreds of Deobandi schools, moreover, have been founded across the Indian subcontinent and now in the West as well.
The Deobandis followed Shah Wali Allah Dihlawi (1702–1763) in their shift from emphasis on the “rational sciences” to an emphasis on the “revealed sciences” of the Qur_an and, above all, hadith. Unlike him, however, they have been staunch Hanafis in jurisprudence. They have also been Sufi guides, bound together by shared spiritual networks, especially Chishti Sabiri. Among the most influential writers was Maulana Ashraf _Ali Thanawi (1864–1943), who published scholarly works on Qur_an, hadith, and Sufism. He also wrote an encyclopedic guide for Muslim women, Bihishti Zewar, disseminating correct practice, reform of custom, and practical knowledge.
After about 1910, individual Deobandis began to be involved in politics in opposition to British rule in India and also to British intervention in the Ottoman lands. Many Deobandis supported the Khilafat movement after World War I in support of the Ottoman ruler as khalifa of all Muslims, and were also strong supporters of the Jam_iyat _Ulama-e Hind who was allied with the Indian National Congress and opposed to the creation of Pakistan. The apolitical strand within the school’s teaching has taken shape for many in the widespread, now transnational, pietist movement known since the 1920s as Tablighi Jama_at. The popular writings of Maulana Muhammad Zakariyya Kandhalavi (1897–1982), associated with the second major Deobandi school in India, the Mazahir-e _Ulum in Saharanpur, are utilized extensively in the movement. In Pakistan, the Jam_iyat_Ulama-e Islam party represents Deobandi ulema. In striking contrast, the Taliban movement, which emerged in Afghanistan in the 1990s, had its origins among refugees in Deobandi schools in Pakistan and also identifies itself as Deobandi.
Taj Mahal is regarded as one of the eight wonders of the world, and some Western historians have noted that its architectural beauty has never been surpassed. In 1631, Shah Jahan, emperor during the Mughal empire's period of greatest prosperity, was grief-stricken when his third wife, Mumtaz Mahal, a Persian princess, died during the birth of their 14th child, Gauhara Begum. Construction of the Taj Mahal began in 1632. His immense mausoleum was built on the orders of Shah Jahan, the fifth Muslim Mogul emperor, to honor the memory of his beloved late wife. Built out of white marble and standing in formally laid-out walled gardens, the Taj Mahal is regarded as the most perfect jewel of Muslim art in India. The emperor was consequently jailed and, it is said, could then only see the Taj Mahal out of his small cell window. The court chronicles of Shah Jahan's grief illustrate the love story traditionally held as an inspiration for Taj Mahal. The principal mausoleum was completed in 1648 and the surrounding buildings and garden were finished five years later. Emperor Shah Jahan himself described the Taj in these words: Shah Jahan, who commissioned the Taj Mahal -"Shah jahan on a globe" from the Smithsonian Institution

Taj Mahal site plan.

1.The Moonlight Garden to the north of the Yamuna.

2.Terrace area: Tomb, Mosque and Jawab.

3.Charbagh (gardens).

4.Gateway, attendant accommodations, and other tombs.

5.Taj Ganji (bazaar)


Should guilty seek asylum here, Like one pardoned, he becomes free from sin. Should a sinner make his way to this mansion, All his past sins are to be washed away. The sight of this mansion creates sorrowing sighs; And the sun and the moon shed tears from their eyes. In this world this edifice has been made; To display thereby the creator's glory. The Taj Mahal incorporates and expands on design traditions of Persian architecture and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including; the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand), Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. While earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones, and buildings under his patronage reached new levels of refinement. 

         
national-memorial-of-bangladesh
national-memorial-of-bangladesh
National Poet's Grave
National Poet's Grave
central-shahid-minarof-bangladesh
central-shahid-minarof-bangladesh
Curzon Hall
Curzon Hall
Kazi Nazrul Islam
Kazi Nazrul Islam
Revolutionary poet Kazi Nazrul Islam died on 29th August 1976(August 29, 1976) at the age of 77 and was buried here. Kazi Nazrul Islam was born in May 24, 1899 in Churulia or Bordhoman, presently a part of West Bengal. The graveyard is adjacent to the Dhaka University Central Mosque. The rebel poet passed away on Vadra 12, 1383. It is located at Dhaka University cam pus, Dhaka city.







National Poet's Grave,Kazi Nazrul Islam Grave,The Grave National of Bangladesh
National Poet's Grave

National Poet's Grave,Kazi Nazrul Islam Grave,The Grave National of Bangladesh
National Poet's Grave

National Poet's Grave,Kazi Nazrul Islam Grave,The Grave National of Bangladesh
National Poet's Grave

National Poet's Grave,Kazi Nazrul Islam Grave,The Grave National of Bangladesh
National Poet's Grave

National Poet's Grave,Kazi Nazrul Islam Grave,The Grave National Poet's of bangladesh
National Poet's Grave

National Poet's Grave,Kazi Nazrul Islam Grave,The Grave National of Bangladesh
National Poet's Grave

Curzon Hall


National Memorial of Bangladesh


Central Shahid Minarof Bangladesh


Curzon Hall is part of the school of science of the University of Dhaka With its significance in education during the post independence era of Bangladesh as well as afterwards, it has become an emblem of educational tradition of the country.In the wake of the first partition of Bengal in 1905, a group of architecturally homogeneous building was erected in Dhaka illustrating a happy blending of the Mughal and European tastes. Massive in appearance these buildings were characterized by a symmetrical composition of their component part and a great variety of eye-catching external detail. The foundation stone of Curzon Hall was laid by Lord Curzon on 14 February 1904. Its elegent facade with its central projecting bay and wide arched horse shoe shaped portals with windows avobe, has a attractively variegated by a series of panels, bracketed eaves and kiosks crowning the roof, whilst the corners are relieved with miners.
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